Natalie Goldberg, Thunder and Lightning: Cracking Open the Writer’s Craft
30 September 2000
It’s clear to me today, anyway, that my Holy Contour of Life book will be a structure like Natalie’s: short, compressed, easy to read and reread, straightforward. I can continue to play with this. Because having “finished” the new version (how many versions have I had???) in which I fractured chronology, now it seems too disjointed and contrived, so I want to break it up further, maybe chronologically, but just keep it to two pages max.
Commentaries, yes, but creatively done, maybe with lists, found shit, short portions of letters (like mine to Peter Pfersick), journals, and articles. Weave them together. Like on riches and poverty: Set it up, find one quotation from GG interview, then one from Sobrino interview, then add a further comment, then use the photos.
Here in Thunder and Lightning, Natalie is still giving her Zen advice on writing as a spiritual practice … Writing Down the Bones, III (After Wild Mind being Bones II). She’s found what works for her, she’s just giving good advice coming out of her own vulnerable, wise experiences as a writer, a meditator, a slow walker, a Jew, a neurotic. “What if Natalie Goldberg were one of us? Just a shmo like one of us?”
And I read this, quelle surprise, only for insight on how to keep going with Book of Mev, Holy Contour of Life, My Fucking Memoir, whatever it’s to be entitled. And this book moves beyond writing practice to structure, craft, finishing a project. So what I note below may be useful in this process:
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