Five Poems, Five Passages

Ezra Pound and Marcella Spann, ed.
From Confucius to Cummings: An Anthology of Poetry
New Directions, 1964

Guido Calvacanti, Sonnet 7
Saint Teresa d’Avila, Bookmark
Elizabeth I, When I Was Fair and Young
William Butler Yeats, Down by the Salley Gardens
H.D., “Never More Will the Wind”

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What matters in poetry, as Coleridge would have agreed, is the intensity of the emotion, and the depth of comprehension registered by the writer.

My efforts to indicate part of the quality of Chinese metric have been sabotaged by the lethargy , or worse, of America endowments for the suppression of the life of the soul.

W.D.H. Rouse notes that Golding’s version [of Ovid] was one of the six great books that Shakespeare had read, as perhaps no other man ever will.

Shakespeare’s lyrics if not the absolute fountainhead are at any rate the channel from which almost all later melodic and rhythmic variety in song-strophe has flowed into English and American verse.

Nineteenth century rhetoric books used to recommend: clearness, force, and beauty. Medieval Latin gave it: ut doceat, ut moveat, ut delectet, that it teach, move, and delight.

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